{"id":892787,"date":"2026-03-17T14:30:00","date_gmt":"2026-03-17T18:30:00","guid":{"rendered":"https:\/\/www.joblo.com\/?p=892787"},"modified":"2026-03-17T18:06:19","modified_gmt":"2026-03-17T22:06:19","slug":"sender-sxsw-review","status":"publish","type":"post","link":"https:\/\/www.joblo.com\/sender-sxsw-review\/","title":{"rendered":"Sender (SXSW) Review: A great Britt Lower can’t save this clumsy recovery drama"},"content":{"rendered":"\n

PLOT:<\/strong> Newly sober, Julia (Britt Lower) is unnerved by a barrage of packages that start arriving from an online retailer, Smirk. No one knows who is sending the packages or why, and the nonstop deliveries begin to threaten Julia\u2019s sobriety.<\/p>\n\n\n\n

REVIEW:<\/strong> Sender<\/em> starts with a misguided bait-and-switch. The film opens ominously, with a woman (played by Jamie Lee Curtis<\/a>\u2014who also produced\u2014in a cameo) receiving a package that triggers her to violence. It seems to set up that Sender<\/em> is going to be a genre film<\/a>, but after this random opening, which never really re-enters the plot in a meaningful way, Sender<\/em> settles into becoming a fairly standard recovery drama with some light thriller elements.<\/p>\n\n\n\n

The mystery\u2014who keeps sending Julia these boxes and why\u2014is never that compelling, and the eventual resolution doesn\u2019t make much sense. Yet, what keeps Sender<\/em> from being a total write-off is the fact that Severance<\/em> star Britt Lower, in a leading role, makes for a compelling protagonist. A former alcoholic whose antics got her fired from her last job three weeks ago, she\u2019s on a shaky path to sobriety. Her tenuous grip on not drinking isn\u2019t helped by her overbearing sister (Anna Baryshnikov), who resents her moving out on her own and won\u2019t leave her alone.<\/p>\n\n\n\n

Without Lower in the lead, Sender<\/em> would be a slog. Writer-director Russell Goldman delivers a good-looking film, but it\u2019s pretty familiar stuff, and the notion to go surreal at times never pays off. The vignette with Curtis feels like it comes from another movie and is clumsily returned to, with a gore moment that sticks out like a sore thumb in a movie that\u2019s essentially about recovery.<\/p>\n\n\n\n

Some of the supporting roles also don\u2019t add up to much, with the great David Dastmalchian as a Smirk courier who develops a kind of quasi-romance with Julia, although you never quite buy that one would end up with the other. Dastmalchian is made to play his role in an occasionally creepy way, perhaps to ramp up Julia\u2019s paranoia, but given her mental state, it\u2019s hard to believe that at one point it briefly becomes a romance, only to suddenly drop that plotline as well.<\/p>\n\n\n\n

\"A<\/figure>\n\n\n\n

Yet, Lower has real star quality and is always worth watching as she sinks her teeth into the self-destructive Julia. She\u2019s matched by a brief turn from Rhea Seehorn as \u201cWhisky\u201d Whitney, a caustic fellow AA member Julia wants as a sponsor. Of everyone, Seehorn, as the gradually recovering Whitney, feels like she\u2019s giving the most authentic performance as a person in AA, although a third-act twist involving her character comes out of absolutely nowhere and just adds to what eventually becomes a confusing, anticlimactic payoff.<\/p>\n\n\n\n

It\u2019s always a drag to trash a movie like this\u2014without distribution\u2014at a fest like SXSW, as it\u2019s clear Sender<\/em> was a passion project for all involved. Perhaps, without the Curtis element\u2014which again feels lifted from another movie\u2014there\u2019s a better version of Sender<\/em> that might see the light of day. As it is, though, I found this to be a slog.<\/p>\n

\n
\n \"\" <\/div>\n
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\n \n \n \n <\/path>\n <\/path>\n <\/path>\n <\/g>\n <\/svg>\n <\/i>\n Britt Lower<\/a><\/span>\n <\/h2>\n

BELOW AVERAGE<\/p>\n <\/div>\n

\n 5<\/span>\n <\/div>\n <\/div>\n\t <\/div>\n\n ","protected":false},"excerpt":{"rendered":"

Sender confusingly masquerades as horror at times, but it winds up being an uneven mess.<\/p>\n","protected":false},"author":119,"featured_media":892789,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_lmt_disableupdate":"no","_lmt_disable":"","footnotes":""},"categories":[26196],"tags":[90578,60431,51352],"class_list":["post-892787","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movie-reviews","tag-britt-lower","tag-jamie-lee-curtis","tag-sxsw","section-movies"],"acf":[],"yoast_head":"\nSender (SXSW) Review: A great Britt Lower can't save this clumsy recovery drama<\/title>\n<meta name=\"description\" content=\"Sender review: the film confusingly masquerades as horror at times, but it winds up being an uneven mess of a drama\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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