I’ll always get a kick out of any movie that has hacking in it. Going all the way back to War Games and Hackers, there’s a certain entertainment value in seeing all the ways a computer can wreak havoc. And with how much technology has advanced, the game has certainly changed. Wardriver gets into the concept of using a car to drive around and access unsecured Wi-Fi Networks. It’s pretty fascinating, and the new film with Dane DeHaan shows all the ways that it can go wrong. Check out our review HERE!

I spoke to Dane about the film and the level of prep that he did to become a believable hacker. This was Dane’s debut as a producer so he gets into why this was the right project to finally take the leap with. I’ve been a fan of the actor since Chronicle (and even have a soft spot for Amazing Spider-man 2) so this was an absolute joy. You can check out this full chat in the video above.

Wardriver plot:

Meet Cole. He is a ‘wardriver.’ Played by Dane DeHaan, Cole stealthy navigates the city streets driving around mapping WIFI networks in hopes to take advantage of and hack into bank accounts. To him, he steals from companies, not people. He convinces himself no one gets hurt, until black-market tech predator Oscar (Mamoudou Athie) forces him into a million-dollar cyber-heist where every line of code could be his last.

Wardriver releases to theaters on March 20th and on VOD on March 27th, 2026.

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Radio Silence, the directing duo of Matt Bettinelli-Olpin and Tyler Gillett, has become a favorite of mine over the past few years. Not only do I dig the guys, but I love the energy they bring. The horror they present generally excites this viewer. And out of all their work, the sly and engaging Ready or Not is a favorite. And frankly, so is the sequel. Ready or Not 2: Here I Come far exceeded my expectations.

The story is great and hilarious, and even surprising. Samara Weaving nails it once again. Yet for me, the addition of Sarah Michelle Gellar, Elijah Wood, and Kathryn Newton all had me in my movie happy place. It’s the kind of sequel that maintains a sense of freshness while still offering what drew people to the first film. And while I cannot reveal the final act, I had a blast with everything that transpired.

I mention that I dig both Tyler and Matt. Not only the talent they bring, but these two are just incredibly cool to speak with. I had just watched the film, and sitting down with them, I was impressed with just how bloody they get. One of the most unforgettable scenes isn’t terribly gory, but it made my skin crawl. I have a thing with broken glass. The two discussed how they approached the casting, especially bringing both Gellar and Wood on board.

And then came the amazing Kathryn Newton. I absolutely adore talking to Kathryn. She is funny, kind, unique, and just one of the coolest folks to chat with. Having spoken to her several times in the past, she always makes the interview so very engaging. I love this cast so much.

In other words, go see Ready or Not 2: Here I Come. Our own Chris Bumbray dug it too, perhaps not as much as I did, but you will have a great time.

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It can be difficult to make a great sequel, let alone a good one. That very thought had been running through my head. It started ever since I watched the excellent Ready or Not 2: Here I Come. Now I can officially say it. This new flick not only matched my expectations, but it also exceeded them in every way. Having had the privilege of seeing it a few weeks back, it stuck with me. That is a rare feeling.

First off, Matt Bettinelli-Olpin and Tyler Gillett (Radio Silence) are a talented duo. Here, they have concocted a wonderfully thrilling follow-up to their 2019 hit, Ready or Not. The new feature begins directly where the first one ended. Once it starts, it’s time for the fuse to be lit in this wildly entertaining sequel. And for this viewer, while it takes the original story to a larger stage, it’s the new cast that really excited me.

Samara Weaving returns as Grace, and she is forced to fight another battle. This time, it includes her estranged sister Faith (Kathryn Newton). The remaining players include the beautifully cast Sarah Michelle Gellar, Elijah Wood, and the legendary David Cronenberg.

A few weeks back, I spoke with some of the players behind this awesome new feature. And this included Elijah Wood and Sarah Michelle Gellar. While I’ve spoken with Ms. Gellar, it was my first time interviewing Mr. Wood. And my oh my was it special. The two were first drawn to the collection of toys I keep in my background. And then quicky jumped into the joy of working with Radio Silence. The two brought such passionate energy, and they are clearly excited about the films release.

After the interview, I mentioned the crazy reason why it was special having Elijah and Sarah together for an interview. They both had such an impact on my own family, that it was such a beautiful experience. Mostly because they were so effervescent and kind. And while Sarah was clearly giddy about the upcoming Buffy return, she and all the fans are heartbroken about the recent news of Hulu cancelling the new series. However, I’m hoping somebody with smarts picks up Buffy. We could use a Vampire Slayer.

Ready or Not 2: Here I Come is heading to theatres this weekend (read our SXSW review HERE). Even the critics screening went crazy for this wildly enjoyable sequel! Check back tomorrow for an interview with Kathryn Newton and Radio Silence!

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Taylor Sheridan’s latest drama, The Madison, is unlike anything the Yellowstone creative has done before, and we’re thankful for the change of pace. Instead of focusing on crime, betrayal, and revenge, The Madison takes an in-depth look at the grieving process as the Clyburn family’s lives are forever changed after a tragic accident. Before The Madison, Mayor of Kingstown was my favorite of Sheridan’s expansive universe of shows. However, after spending time with the Clyburns in Madison, Montana, I’m bestowing the crown on Stacy Clyburn (Michelle Pfeiffer) and the survivors of this reflective, emotional series.

During our interviews with select cast members, we spoke with Matthew Fox (Paul) and Beau Garrett (Abigail) about filming in the majestic state of Montana and what it feels like to work in such a breathtaking locale alongside a group of fantastic actors and crew. We also discuss methods for winding down after a hard day of filming, and discover that Fox is familiar with the land after spending much time there during his earlier years.

While speaking with Ben Schnetzer (Van) and Rebecca Spence (Liliana), we talk about establishing emotional barriers so as not to get too close to your characters when the cameras stop rolling. I also get to wag my finger at the duo, since Liliana made me cry on several occasions, and I desperately want Van to come to my house and read me a bedtime story. There’s something about his voice and swagger in this show. Outstanding.

Finally, we talk with Kevin Zegers (Cade) and Danielle Vasinova (Kestrel) about their respective characters, and the importance of extending hospitality and patience to your fellow neighbors. Zegers and Vasinova both display a lot of pride in their performance and their character’s values, which comes across in the show as a warm hug amidst all the tears and questions about an uncertain future.

In Alex Maidy’s 9/10 review, he says, “The Madison works as well as it does because it is nothing like Yellowstone. Taylor Sheridan has crafted a story about conflict that is devoid of criminal violence, but other forms of violence can wreak havoc on people. This series relies on the core themes of family, romance, and trauma, not for entertainment, but to showcase the depths of perseverance and resilience in the face of the hardest experiences people can go through. I had started to think that Taylor Sheridan was only capable of soap operas, crime thrillers, or a blend of the two, but The Madison has redeemed him in a way I did not expect. This is a touching drama that will hit you emotionally and gut-wrenchingly, but will also leave you wanting to take stock of your own family and relationships. The Madison is a journey that is worth investing in and leaves enough threads open to keep you wanting to come back for more when season two debuts.”

I could not agree more, and look forward to seeing the second season on Paramount+ when it arrives.

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Maybe it’s my age catching up with me, but my ability to comprehend specific anime is getting dicey. Give me something like Chainsaw Man of Witch Hat Atelier, and I’m locked in, good to go. However, when it comes to Jujutsu Kaisen, I need a guide to hold my hand and explain the intricate details of such a beloved series. Am I still having fun even if I don’t understand all the ins and outs? You bet I am! But holy hell, I need to lie down after an episode or two, just to let the information and action digest in a way that doesn’t break my brain or add unwanted jolts to my heart. Thankfully, I’ve got Adam McArthur (the voice of Yuji Itadori) and Kayleigh McKee (the voice of Yuta Okkotsu) to help me not sweat the small stuff as we dig into what makes Jujutsu Kaisen special in this new interview.

During my chat with McArthur and McKee, we discussed their respective characters and asked whether there’s anything special about them that stands out as a point of pride. We also talk about the overall tone of Jujutsu Kaisen, how, over time, the series has become darker and less comedic, and whether they miss the light-hearted interjections from earlier episodes. While discussing the show’s evolution, McArthur and McKee talk about finding a balance between the tones and how that affects the drama. We also talk about the density of Jujutsu Kaisen, and how the third season presents some of the franchise’s headiest concepts yet. We find out McArthur and McKee each have their own approach to understanding and tracking the lore, which is more than I’ve got, I’ll tell you that. I picked up a few tips from them throughout our talk, so listen closely, and you might learn something.

As Jujutsu Kaisen continues to take the anime community by storm, we enjoy chatting with the actors and filmmakers who help bring our favorite characters to life. There’s no shortage of anime in the world, but getting to talk with the people behind some of the biggest names in the business is a treat. Here’s to landing many more of these exciting interviews.

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Netflix‘s One Piece: Into the Grand Line is striking it rich with a 100% fresh score on Rotten Tomatoes, fans going wild for the show online, and promises of more adventures to come as the world celebrates the greatest live-action adaptation of an anime yet! Can you tell I’m a fan? I love this series so much, and it was my honor to speak with Iñaki Godoy (Monkey D. Luffy), Emily Rudd (Nami), Mackenyu (Roronoa Zoro), Jacob Romero (Usopp), and Taz Skylar (Sanji) about boarding their ship, the Going Merry, and going in search of the sacred One Piece treasure.

During my chat with the Straw Hat crew, we discussed the spectacular sets and costumes for the second season of One Piece and discovered which are each cast member’s favorite. We also take time to pull up at the bar and discuss Taz Skylar’s drink-mixing technique and how he trained under a skilled mixologist to complete the scene in a limited number of takes. After that, we ask Emily Rudd about working alongside the show’s beloved CGI character, Tony Tony Chopper, whose spot-on portrayal is another reason to praise One Piece’s attention to detail and authenticity. Next, we talk with Mackenyu about his 100-person bar fight, and learn about the mind-blowing choreography for this fun display of badassery.

For more about One Piece: Into the Grand Line, be sure to check out our full review here. In my review, I encapsulate the experience by saying, “The second season of Netflix’s One Piece is epic, sprawling, and offers more variety than the first regarding character introductions, jaw-dropping set pieces, and imaginative ways of recreating Oda’s legendary creation in live-action. The show never shies away from its anime roots, choosing to revel in One Piece’s swashbuckling silliness, extreme sense of style, and powerful messages of optimism, adventure, and making your dreams come true. Hollywood often portrays pirates as crude, covetous villains of the high seas, but One Piece flies a different Jolly Roger, one that stands for exploration of strange lands, forging of unbreakable bonds, and limitless possibilities in the face of the impossible and strange. I can’t get enough of this series, and hope that Netflix continues to believe in it as much as Luffy does in his dream of one day becoming the King of the Pirates.”

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One of the things I love about horror is how scary a simple concept can be. In The Blair Witch Project, you have amateur filmmakers face the unknown. And then there was the success of the Paranormal Activity franchise that brought the chills of a haunting to a suburban nightmare. Since then, we have seen many a flick with a smaller budget that has captured the attention of horror connoisseurs. The latest thriller to give the audience a chill is the Ian Tuason indie, Undertone.

The story revolves around Evie (Nina Kiri), a host of a popular paranormal podcast. Along with her co-host, Justin (Adam DiMarco), the two find themselves facing very dark and horrific content. After she is sent 10 audio recordings of some very spooky material, things get really spooky for Evy. The film connected with much of what made both Blair Witch and Paranormal Activity work for this viewer. It is a dark and trippy flick that uses audio beautifully to ratchet up the scares.

Last week, I sat down with the writer/director Ian Tuason, along with both Nina Kiri and Adam DiMarco. It was wonderful meeting Mr. DiMarco. He opened up about the success he found at Fantasia, Sundance and how Undertone became an A24 release. As for Ms. Kiri, she opened up about carrying so much of the film, and frankly, it sounds like they had a blast. When it came to Adam DiMarco, he discussed creating an on-screen relationship while maintaining an off-screen one.

It was such a pleasure chatting paranormal with these three. At the end of the discussion, I was curious if they decided to take a chance at a ghost hunt to bring spooky energy to the production.

Are you looking for supernatural frights? You will probably want to check out Undertone with a packed audience ready to get scared. Look for it this weekend at a theatre near you. Check out our review HERE.

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If you haven’t watched the trailer for Jan Komasa’s Heel, then I highly suggest you do that now. It’s a fascinating concept of a young criminal being kidnapped by a disturbed family who hope to reform him by chaining him up in their house. There are some really interesting developments in this one, and I enjoyed it a lot (check out my review HERE). Plus, you really can’t go wrong with such a strong cast.

I was able to chat with Stephen Graham, Andrea Risebrough, and Anson Boon about their time making Heel. Graham makes a great point about how actors need to show up to set on time and treat everyone with respect. Really made me wonder which actor he’d had a bad experience with to make him feel so strongly about the subject. Anson was an absolute delight all around, humoring my fascination with the fact that he was collared up for most of the film. Check it out in the video above!

Heel plot:

From Academy Award® nominated director Jan Komasa, HEEL is a twisted thriller that follows 19-year-old hooligan Tommy (Anson Boon), who revels in a life of drugs, parties, and violence. One night, on a bender with his reckless friends, he becomes separated from the group and is abducted by an unknown figure (Golden Globe® winner Stephen Graham). Though he is no stranger to inflicting violence, he is enraged and horrified when he wakes to find himself chained in the basement of the isolated suburban family home of Chris (Graham), his wife Kathryn (Academy Award® nominee Andrea Riseborough), and their young son Jonathan (Kit Rakusen). The family sets out to reform Tommy’s unruly behavior, forcing him to comply with their relentless mind games or seek escape at any cost.

Heel is now playing in theaters.

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Milla Jovovich is a powerhouse. The actress has consistently proven herself resilient throughout her decades-long career. And then there was Resident Evil. She proved to be a worthy Alice in the moneymaking franchise, as her husband, Paul W.S. Anderson, brought to audiences. Certainly, the series did not earn much critical praise, but nobody could dismiss the impressive work that Ms. Jovovich put into the role. And yes, I saw every one of those flicks in theatres.

In Milla’s latest, Protector, she tackles another terrifying subject matter. However, this time the stakes are horribly real for many victims. Directed by Adrian Grunberg, the new thriller tells the story of a mother – and former war hero – who takes on a bunch of baddies after her daughter is kidnapped. It’s a solid thriller with a terrific cast that includes Jovovich, D.B. Sweeney, Matthew Modine, and Isabel Myers, who portrays the daughter in question.

Recently, I sat down with both Ms. Jovovich and her co-star, Isabel Myers. I’ve had the joy of speaking to Milla many times, and she is just as kind and lovely as you might expect. During the interview, both she and Myers clearly had a wonderful time working on this project together. In fact, you hardly needed to speak as they were fantastic to chat with. It was a natural conversation, with both of them offering such great energy and excitement about the project.

Protector continues to prove that Milla is one of the few modern artists who can convincingly handle such physical projects. She is a major talent, and it was nice to see the mutual respect during the interview. Grunberg was smart to give this “Taken” style thriller to such a talent as Jovovich.

Protector opens this Friday at a theatre near you.

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Pirate movies were a mainstay of Hollywood blockbusters since the 1940s. After Cutthroat Island doomed the genre in the 1990s, it was over a decade before Pirates of the Caribbean shocked everyone and took the formula to a new level. Now, years after the last film starring Johnny Depp, the pirate genre is back with a brutal makeover in the new movie The Bluff (read our review).

Set in the Cayman Islands during the 19th century, The Bluff follows Ercell Bodden (Priyanka Chopra Jonas) as she tries to leave her past as a pirate behind and raise a son with her husband, T.H. (Ismael Cruz Cordova). When someone from her past, Captain Connor (Karl Urban), reenters her life looking for revenge, Ercell must call on her pirate skills to protect her family by any means necessary. What follows is an action-packed and bloody good time at the movies.

I got the chance to talk to the cast and director of The Bluff about their action-packed epic. Director Frank E. Flowers discussed using his Caribbean roots to inform the diverse, realistic crews of the pirate ships in the film, as well as the influence and support that The Russo Brothers brought to the project. Priyanka Chopra Jonas talked about how this movie differs from the action work she has done in the past and how being a mother informed her character. Karl Urban discussed playing a villain and the most memorable lines he got to spout in the film. Check out the full interviews in the embed above.

The Bluff premieres on February 25th on Prime Video.

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Scream 7 released this weekend (you can check out my review HERE) ,and everyone is buzzing at the return of Stu Macher. And no, that’s not a spoiler as he was announced as in the cast and his voice appears in the trailer. How that happens, I won’t say, but because of his return, I was able to speak to Matthew Lillard, in conjunction with his release of the film and Ghostface vodka (of which we recently covered its Red Carpet launch).

Unfortunately, this interview was before Scream 7‘s release, so we couldn’t really dive into that like I would have wanted. In fact, Lillard implied something that didn’t even end up being true, so he really Andrew Garfield’ed me. So we certainly talk about Stu and what the character means to him, but we aren’t able to discuss specifics, as I hadn’t seen the film yet. But he is very grateful for Radio Silence putting Stu back in the minds of viewers to even allow his return to happen.

And Twin Peaks/David Lynch fans are in for a treat, as Matthew tells a hilarious story about a note Lynch gave him while acting in Twin Peaks: The Return. Not to mention the fact that he wouldn’t call him by his actual name. Oh Lynch, you eclectic man. This was a great conversation so make sure to check it out in the video above!

Scream 7 plot:

When a new Ghostface killer emerges in the town where Sidney Prescott has built a new life, her darkest fears are realized as her daughter becomes the next target.

Scream 7 is now playing in theaters and Ghostface Vodka releases wide this October.

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You really have to give Matthew Lillard some serious credit. While arguably at the height of his fame in the late nineties thanks to his roles in Scream, Scooby-Doo, and other teen-focused movies, he’s always been able to reinvent himself. I remember being struck by his supporting performance opposite George Clooney in The Descendants some time ago, and while a lot of his contemporaries faded over the years, Lillard has maintained his place in pop culture. He’s similar — in some ways — to a guy like Brendan Fraser. He went away for a while, but at a certain point Hollywood woke up and realized just how beloved he really was, leading to a full-on resurgence for him in movies like Five Nights at Freddy’s. Now, there’s also some buzz about him possibly returning in Scream 7, which opens today.

Of course, Lillard is also an entrepreneur, having launched Ghost Face Vodka by Macabre Spirits, which pays tribute to his iconic role as one of the first Ghostface killers, Stu Macher. Our man Ryan Cultrera was able to attend the Los Angeles launch of a limited-run boxed set of the vodka, all of which are signed by Lillard. The red carpet took place at Funko Hollywood, and while he was there, Ryan not only got to chat with Lillard about the franchise’s lasting legacy, but also series mastermind Kevin Williamson, who takes the director’s chair on Scream 7 and used the opportunity to pay tribute to the late, great Wes Craven.

Plus, one of Lillard’s contemporaries, the great Michael Rosenbaum (Smallville), chatted with us about the horror icon he’d most like to grab a drink with, while Ice Nine Kills frontman Spencer Charnas — whose track “Twisting the Knife” appears on the Scream 7 soundtrack — talked to us about his contribution to the franchise.

Watch our event coverage embedded above and let us know in the comments if you’re checking out Scream 7 this weekend (read our review HERE).

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Baz Luhrmann has marched to his own drum from the very beginning. The filmmaker grabbed the audience’s attention way back in 1992 with Strictly Ballroom. He has enjoyed a decades-long career by mixing his love for music. It includes Romeo + Juliet, and the much-heralded Moulin Rouge!

It was Lurhmann’s take on Elvis, featuring Austin Butler in a star-making performance that opened up the world to his appreciation for ‘The King.’ Also featuring Tom Hanks, Elvis proved popular for the filmmaker. Yet Presley’s legacy was just too huge to put into a biopic. It’s safe to say that almost everybody out there has some knowledge. It’s hard to imagine anyone who hasn’t listened to ‘Jailhouse Rock’ or ‘Love Me Tender.’

That brings us to EPiC – Elvis Presley in Concert! The new documentary is one of the best I’ve seen on the musical icon. It is a monumental and astonishing look at Elvis during his Las Vegas residency in the Seventies. Every single event is displayed in ways I never thought possible. When Presley and his band were onscreen and onstage, in IMAX, it was thrilling beyond my expectations. I adore EPiC. It is an energizing look at one of the most famous singers ever to grace us. Check out our review!

Recently, I sat down with Baz Luhrmann to talk about his latest. It was my first time speaking to Mr. Luhrmann, but it was a pleasure. He opened up about the discovery of this incredible footage. We talked about one specific performance of ‘Burnin Love,’ which excited me to my core. Baz was more excited to hear about my experience with the movie.

If you are even remotely an admirer of Mr. Elvis Presley, then you owe it to yourself to see EPiC: Elvis Presley in Concert on IMAX. It is astonishing.

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Director Michel Franco has been building quite the resume of projects since his films New Order and Sundown, with our own Chris Bumbray giving his 2023 movie Memory a perfect 10. After the gut-wrenching drama, Franco has reunited with star Jessica Chastain on the new film, Dreams. Just as affecting as Memory, Dreams opens in theaters and offers a unique perspective on a very timely topic.

Dreams follows the secret affair of wealthy socialite Jennifer (Jessica Chastain) with Mexican ballet dancer and undocumented immigrant Fernando (Isaac Hernández). Co-starring Rupert Friend, Dreams delves into the intensely sexual and romantic relationship between Jennifer and Fernando while also showcasing the divide between the elite and the working class and the privileges of power.

I spoke with the stars and director of Dreams about the new film. Isaac Hernandez, a trained ballet dancer, discussed the challenges of performing on camera as both an actor and a dancer. Michel Franco discussed the importance of the subject matter, but why he chose not to make the story political. Jessica Chastain discussed reuniting with Franco after Memory, her view of her character, and the honesty of the sex scenes. Check out the full interview in the embed above.

Dreams opens in theaters on February 27th. Check out our review HERE!

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If there’s one thing that’s gotten big in recent years, it’s the idea of binge culture. Streaming services have really popularized the idea of watching an entire season of a TV show in a very short period of time. As someone with absolutely zero patience these days, I’ve really taken to the concept, and often finish these shows within 48 hours of their release. With so much content being released these days, it’s a nice way of not getting distracted by something else. So it’s cool to see it carrying over to movies as well, with today’s example being the Ryan Phillippe and C Thomas Howell films One Mile: Chapter One and Chapter 2. Both films were released on the same day and seem to support that bingeing experience. You can check out my review of the films HERE.

I chatted with Phillippe and Howell about their roles in the film, as well as the very unique release schedule. Phillippe gets into how his past action roles really helped to inform this one, which was quite physically demanding. It was also incredible to hear from Howell about how much Rutger Hauer’s performance in The Hitcher influenced his bad guy. As a massive fan of that film, it was a big moment for me and made me glad that he still views it in such a positive light. This was a fun interview that you can check out in the video above.

One Mile: Chapter One plot:

Ryan Phillippe stars as a former special forces operative trying to reconnect with his teenage daughter during a college roadtrip. When an unexpected detour puts them in the sights of a secretive, off-the-grid community, his daughter is taken and the trip erupts into a high-octane fight for survival. Alone and outnumbered, he’s forced to use every skill he has to track them down, take them apart, and bring his daughter home.

One Mile: Chapter Two plot:

A former special forces operative (Ryan Phillippe) is forced back on to a remote island when the violent, secretive community he fought once before abducts his daughter in an act of revenge. Launched into a relentless hunt, he faces an enemy that’s ready and anticipating his every move.

Both One Mile: Chapter One and Two are available to rent digitally today.

The post Ryan Phillippe and C. Thomas Howell tell us about the same-day release of their films, One Mile: Chapter One and Chapter Two appeared first on JoBlo.

I’m not sure if we’ve ever seen the Predator franchise in a better place. At least financially. Sure, the argument can certainly be made that it’s getting away from what originally made the franchise what it was and becoming much more sci-fi-based, but there’s no denying those box office receipts. And the man at the helm is none other than Dan Trachtenberg, who has released three of his own with Prey, Predator: Killer of Killers and Predator: Badlands.

I was able to chat with Dan about Badlands in anticipation of the film’s digital and physical release. We get into whether or not he’ll still be involved with the series since signing his First Look deal with Paramount. Dan also gets into why they cut out most of the androids in the film and opted instead to have one actor portray the majority. I can’t recommend this release enough as it is filled with insightful commentary and deleted scenes that provide both more context and an alternate look at what could have been. It’s genuinely one of the best releases I’ve seen in a while. And you can hear all about it in the video above!

Predator: Badlands plot:

Set in the future on a deadly remote planet, Predator: Badlands follows Dek, a young Predator outcast from his clan, who finds an unlikely ally in Thia and embarks on a treacherous journey in search of the ultimate adversary.

Bonus Features:

o Embodying the Predator – Meet the talented team of designers, performers, and effects artists responsible for bringing one of cinema’s most terrifying creatures to life on screen in ways we’ve never seen before!

o Authentic Synthetics – Get up close and personal with synths Thia and Tessa as star Elle Fanning walks us through the process of crafting two characters who may look the same but have evolved in surprisingly unique ways.

o Building the Badlands – With razor sharp grass, killer trees, and terrifying animals, never has a planet been more deadly than Genna. Uncover how a team of artisans built this threatening landscape, transforming real locations into the dangerous environments seen on screen.

o Dek of the Yautja – For the first time ever, director Dan Trachtenberg has given audiences an extended peek at Predator culture. Follow the evolution as filmmakers reveal the process behind developing the Yautja’s home world, spacecraft, and family dynamics.

o Audio Commentary: Watch the film with audio commentary by Director Dan Trachtenberg, Producer Ben Rosenblatt, Director of Photography Jeff Cutter and Stunt Coordinator Jacob Tomuri.

Predator: Badlands is now streaming on Hulu and available to purchase on physical media.

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John Patton Ford impressed this viewer with his feature film debut, Emily the Criminal. The film featured an excellent performance from Aubrey Plaza and brought humanity to the character. It’s a marvelous independent feature. One that gives the filmmaker the chance to prove what an impressive voice he has. Here, he offers his storytelling talent for yet another fascinating character. Imagine Glen Powell as a man ready to claim his fair share of the inheritance, no matter the cost.

How to Make a Killing (read our review) is a smart and satisfying dark comedy. Ford has crafted a savagely satisfying story with rich characters and his knack for dialogue. Much like Emily, the cast here offers terrific work. It includes the brilliant Margaret Qualley, in addition to Glen Powell, Harris, Topher Grace, Jessica Henwick, Zach Woods, and more. Much like his previous feature, Ford creates a charismatic lead with Mr. Powell. The actor brings such clear charm to his work that it becomes quite easy to root for him… even if he is planning a few dastardly deeds.

On Valentine’s Day, I made my way to The London Hotel to speak with some of the fine talent featured. Having spoken to Glen for The Running Man, I was looking forward to chatting again. He, along with co-stars Jessica Henwick and Topher Grace. The trio discussed working with Mr. Ford and finding a bit of fun in taking on the colorful characters.

As the interview went on, Henwick and Grace mentioned how enjoyable it is working with Powell. Topher, having known Glen for a couple of decades, had high praise for the actor. And frankly, it’s not hard to see why. Glen is an incredibly kind and down-to-earth type of guy. He is wonderfully chill and just very easy to talk to. So much so that I especially appreciated the on-screen chemistry between him and Jessica. It translated to these three terrific actors.

Check out How to Make a Killing this weekend at a theatre near you.

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There’s nothing quite like Nirvanna the Band the Show the Movie. Even that title is enough to elicit quite the response, given how “out there” it happens to be. But it really sets you up for what is to come, as it’s one of the most bonkers films out there. From traveling back in time in an RV to the ultimate plan of jumping off the CN Tower to promote a show they don’t even have booked at a small venue, it’s easy to laugh at just about every element of this film. Then you get to the duo of Matt Johnson and Jay McCarrol, and you’ve got one of the best comedy pairings in recent memory. They play off each other so well and complement each other perfectly. I absolutely loved the film, and you can check out my review HERE.

I chatted with creators/stars Matt Johnson and Jay McCarrol about their new film and how much fair use allowed them to get away with so much. I was pretty shocked to learn that they didn’t get any approval whatsoever given all of their Back to the Future references, but I guess it’s not a surprise in this day and age. As someone who works with fair use a lot, there is plenty you can get away with, and sometimes it’s better to “ask forgiveness versus permission.” I was also surprised that they didn’t actually use Alan Silverstri’s score (something that seems to have fooled other people as well) because, as McCarrol puts it, it was simply a faithful recreation, changing just enough to constitute fair use. Pretty damn impressive. This was a great talk that you can check out in the video above.

Nirvanna the Band the Show the Movie plot:

When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008. Blah blah blah blah blah.

Nirvanna the Band the Show the Movie is Now Playing In Theaters.

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David Koepp has been involved with countless massive movies from Jurassic Park to Spider-man, heck even the upcoming Steven Spielberg movie, Disclosure Day. But before that film releases, we’ve got another alien film written by Koepp that releases onto the world: Cold Storage. Starring Stranger Things alum Joe Keery, Barbarian‘s Georgina Campbell, and Naked Gun‘s Liam Neeson, alien comedy feels like a genre that’s been sorely lacking. I really enjoyed the film and you can check out my review HERE.

I was fortunate enough to talk to Keery, Campbell and Neeson about their roles in the film. Campbell and Keery seemed a bit split on the gory side, in terms of their own enjoyment of the ooey-gooey stuff. And Neeson, despite his character having back issues, brags about how, despite starring in action movies for years, he still has a great back. As someone who spent half of his twenties with severe back pain: I wish I had Liam Neeson’s back…amongst other things. This was a great interview and you can check it out in the video above!

Cold Storage plot:

When a highly dangerous fungus escapes from a secret laboratory, a former bioterrorism agent is called back into action. Alongside two young employees, he must confront an invisible and out-of-control threat.

Cold Storage is playing in theaters on February 13th.

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Set to be released in theaters and IMAX everywhere on February 13, Crime 101 is a suspense thriller heist film starring Chris Hemsworth, Halle Berry, and Mark Ruffalo. It’s based on the novel by Don Winslow and directed by Bart Layton.

I was lucky enough to attend the premiere of the film at Regal in New York City last Monday, and of course, with any of these types of releases that I have the pleasure of covering for JoBlo, I went in as blind as possible — and I was absolutely floored by this movie.

Released by MGM/Amazon, you might think this could have been a movie sent straight to streaming on Prime Video, but the studio made the right decision by making this a theatrical experience. Key word: experience.

This film is easily the first great movie of 2026, and quite honestly, I loved it more than any film I watched in 2025. I don’t like giving movies a 10 out of 10 rating because the cinema snob in me hates doing that. I was actively trying to find reasons not to give this film a 10, and as I was watching it, I couldn’t find anything that hinders the movie in any way.

It’s suspenseful throughout. You root for all the characters (which will absolutely make you feel conflicted). The movie unfolds properly as it progresses, and even though it isn’t wall-to-wall action, when the action scenes hit, they’re cranked past eleven. The film also has one of the most satisfying endings I can remember.

So I hope you enjoyed this little mini-review, because I’m urging everyone to see it on February 13.

Chris Hemsworth & Halle Berry Interview

After having one of the best theatrical experiences I can remember, I had the pleasure of sitting down with two of the film’s main stars, Chris Hemsworth (who saw my tweet reaction to the movie and shared it on his social media) and Halle Berry.

We talked about the movie, the action, the cars, and of course their characters. It was wonderful speaking with the two of them, and in the interview you can absolutely see how much fun they had making this film.

And yes… I had to address the elephant in the room. With Avengers: Doomsday coming out in December, I had to ask whether we might see Thor and Storm together, especially since most of the original X-Men are returning for the massive comic book team-up.

Bart Layton on Theatrical vs. Streaming

Due to scheduling conflicts, I wasn’t able to sit down with director Bart Layton in person, but we made it work via Zoom.

Not only did we talk about the film’s cast and action sequences, but we also discussed the importance of releasing this movie in theaters rather than sending it straight to streaming.

Check out the full interview below!

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Sony Pictures Animation is hitting the hardwood on February 13 with the studio’s latest animated feature, GOAT. The uplifting underdog story, starring the voices of Caleb McLaughlin, Gabrielle Union, Nick Kroll, Nicola Coughlan, David Harbour, Steph Curry, Patton Oswalt, and Jenifer Lewis, takes place in Vineland. In this breathtaking metropolis, roarball, a full-contact, co-ed version of basketball, is deeply woven into the culture. Vineland has never won the Claw, a trophy not unlike the Stanley Cup, but this season, they’re going to bring the prize home with some help from the home team’s most unlikely player, Will, a little goat with a big heart.

During the lead-up to GOAT‘s release, we were lucky enough to play ball for a few minutes with Caleb McLaughlin (Will Harris) and Gabrielle Union (Jett Fillmore), the two star players of the Vineland Thorns. During our chat with the dynamic duo, McLaughlin and Union discussed their favorite aspects of contributing to an underdog story that audiences can resonate with. Unfortunately, our time together was short (delays in scheduling cut everyone’s spots short), but we did manage to talk about real-life GOATs, such as the man, the myth, the star of Space Jam: Michael Jordan. Union knows what’s up.

In addition to our interview with Caleb McLaughlin and Gabrielle Union, we have our GOAT review live on the site right now. GOAT is a dazzling display of Sony‘s talents, featuring drop-dead gorgeous visuals, stunning character designs, and lush, intricate environments. There’s always something to stare at while watching the film, and Will’s story, though familiar, is inspirational for teaching audiences not to underestimate the little guy. The film stumbles in pace, but that could be something that’s fixed with a second watch. While watching a movie for review, the added pressure of analyzing every frame on the fly warps my perception of time. Once all is said and done, I liked GOAT a whole lot and think that kids will love it, especially those who dream about one day playing for their favorite sports team. For more thoughts about GOAT, make sure you check out our review.

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Dracula is one of the most adapted stories out there. Every few years, we’re getting another interpretation of the story, and this time it’s Luc Besson’s turn. And if it feels like this movie has had an extremely long release timeline, then you’re not wrong, as the film was released in Europe last summer. We’re now finally getting into US theaters and, while critics aren’t loving it (check out my review here), it has managed to make some money at the box office. Despite being one of many versions of the story, Besson’s version is definitely one of the more unique ones out there (even if it’s more a retelling of Francis Ford Coppola’s version than anything).

I was able to speak with writer/director Luc Besson and stars Christoph Waltz, Caleb Landry Jones and Zoe Bleu about the film. Besson gets into why getting Danny Elfman to do the score was one of the biggest wins for him. Landry Jones and Bleu discuss what they were able to do to help develop their chemistry despite not having many scenes together in the film. Then Waltz gets into whether or not he prefers to do period films or those set in modern day. Given his filmography, his answer may surprise you. Check it out in the video above!

Dracula plot:

When a 15th-century prince (Caleb Landry Jones) witnesses the brutal murder of his wife (Zoe Bleu), he renounces God and damns heaven itself. Cursed with eternal life, he is reborn as Dracula, an immortal warlord who defies fate in a blood-soaked crusade to wrench his lost love back from death, no matter the cost. On the verge of reuniting, Dracula is hunted by a relentless priest (Christoph Waltz), sworn to end his immortal reign.

Luc Besson’s Dracula Is Now Playing In Theaters.

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Opening this Friday in limited U.S. theaters, Pillion, directed by Harry Lighton, arrives courtesy of A24 before expanding nationwide on February 20. The film stars Alexander Skarsgård as Ray and Harry Melling (of Harry Potter fame) as Colin, two men who become involved in a consensual Sub/Dom relationship set in the UK.

While Pillion isn’t typically my kind of movie—I went in completely blind—it once again proves A24’s commitment to delivering bold, unconventional stories that stand apart from mainstream romance films.

Because of a crowded release schedule, I had the chance to briefly chat over Zoom with Skarsgård, Melling, and director Lighton together. During the interview, they discussed their characters, the dynamics of Ray and Colin’s relationship, and how they approached filming the movie’s intimate scenes. Lighton also shared that the film was inspired by the novel Box Hill, which served as the foundation for his screenplay.

As a longtime fan of Alexander Skarsgård dating back to his True Blood days—and as someone who loves King Kong and Godzilla—I also managed to sneak in a quick Monsterverse question during our conversation.

You can watch the full interview below, and be sure to catch Pillion in select theaters this weekend. Check back tomorrow for our full review!

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Love is beautiful. However, it can also be brutal and elusive. When you promise yourself to another person, you enter a pact. Two become one. Trust is paramount. Love is eternal—all that fluff. Something that will mess you up, though? Getting left at the altar. In Solo Mio, Matt (Kevin James) finds himself abandoned in Italy after his fiancée fails to show up at their wedding. Instead of going home with his tail tucked between his legs, Matt decides to stay. As he attempts to enjoy his honeymoon package as a party of one, he slowly discovers that life continues after such a horrific event, and perhaps Matt’s misfortune was meant to be, as new love is waiting just around the corner.

To celebrate the launch of Solo Mio in theaters, we spoke with the romantic comedy’s directors, Charles and Daniel Kinnane, and stars Kevin James (King of Queens, Becky, Here Comes the Boom), Kim Coates (Sons of Anarchy, American Primeval), and Jonathan Roumie (The Chosen).

During our chat with Kevin, we discussed Matt, the film’s vulnerable and relatable protagonist. James co-wrote the movie with John and Patrick Kinnane, so we were able to get inside Matt’s head and find out what makes him tick. We also touch on James’ on-screen chemistry with his co-star Nicole Grimaudo, who plays his Italian love interest, Gia. Finally, we talk about language barriers and what it’s like to write for a culture and language you barely understand. How do you ensure its authenticity? Do you ask for help?

While speaking with Kim Coates and Charles Kinnane, we talked about Coates’ character, Julian, a social bull in a china shop who inserts himself into Matt’s affairs and doesn’t let go until he helps his new buddy out. Coates talks about having a blast during the film’s production, while Charles reveals what he loves about filming in Italy.

Last but certainly not least, we talk about the beauty of Rome with Jonathan Roumie and Daniel Kinnane, and what it’s like to immerse yourself in the culture and wonder of such a stunning city.

If you’re interested in hearing more about Solo Mio, check out our spoiler-free review here.

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After nearly two years, we’re finally seeing The Strangers trilogy come to a close. After a mixed reception for the first two films, this really does feel like the end of anything Strangers-related for a while. While I’m one of the few defenders of the first film, I agree with the masses that the second was a mess. So there’s a lot riding on this final entry as to how this trilogy will be viewed overall. My review for The Strangers: Chapter 3 will drop later this week, but I’ll just tease it by saying that I think this is more rewatchable than the last film.

I was fortunate enough to talk to Madelaine Petsch about her final turn in the role of Maya. She addresses the poor reception of the second film and hopes the finality of this third entry will help address some of those critiques. And, with this trilogy being her first experience in the editing bay, she tells us what she learned and what she will take into her other productions. Madelaine has always been one of my favorite interviewees, and here she is, no different. You can check out our full conversation in the video above!

The Strangers Chapter 3 plot:

In the final film of The Strangers trilogy, Maya (Madelaine Petsch) faces the masked killers one last time in a brutal, full-circle reckoning of survival and revenge.

The Strangers Chapter 3 is playing in theaters on February 6th, 2026.

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Jason Statham is back at doing what he does best — kicking ass. His new film, Shelter, has been released this past week and it’s getting positive reviews (it currently sits at a 65% critics aggregate on Rotten Tomatoes, with an 88% audience score), including my own, which you can check out HERE. While on the promotional circuit, director Ric Roman Waugh was kind enough to sit down with us to talk about the new film.

Waugh’s previous directing credits include Kandahar, National Champions, Greenland, Angel Has Fallen, Shot Caller, That Which I Love Destroys Me, Snitch, Felon, and In the Shadows. I had the pleasure to pick his brain about how he brings a fresher angle to films with familiar premises, as well as working with Statham and Bodhi Rae Breathnach on their character scenes and filming things practically for a big storm sequence.

Waugh directed Shelter from a screenplay by Ward Parry. The movie has the following synopsis: On a remote coastal island, a reclusive man rescues a young girl from a deadly storm, drawing them both into danger. Forced out of isolation, he must confront his turbulent past while protecting her, sending them on a tense journey of survival and redemption.

Statham is joined in the cast by Naomi Ackie (Don’t Blink, Whitney Houston: I Wanna Dance with Somebody), Bodhi Rae Breathnach (Hamnet), and Bill Nighy (Love Actually).

The film was produced by Black Bear, Punch Palace Pictures, CineMachine, and Stampede Ventures. Producers are Jason Statham, Black Bear’s John Friedberg, Brendon Boyea, Greg Silverman, and Jon Berg. Executive producers are Black Bear’s Teddy Schwarzman, Michael Heimler, Andrew Golov, and Mike Shanks, as well as Ric Roman Waugh, Rachael Cole, Volodymyr Artemenko, Yevgen Stupka, Macdara Kelleher, Victor Hadida, Gideon Yu, and Elizabeth A. Bell.

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Last week, I had the distinct pleasure to chat over Zoom with Charles. We had a terrific conversation about AI, and the charms of Chris Pratt. As well as some of his past successes. It was such genuinely enjoyable chat. And if you haven’t seen Mercy as of yet, it is currently in theatres.

Charles Roven: Hey, Jimmy, how are you? Nice to meet you over Zoom.

Nice to meet you over Zoom as well. I’ve got to say, man, obviously you’ve been a part of some very, very impressive films and ones that have obviously been a huge part of JoBlo. What is it about this story, Mercy, and working with Timur, and finding this kind of examination of this world of AI?

Charles Roven: I mean, there are a number of things, but first and foremost, I think that it is something that we’re probably, I think we’ll look back on and say, wow, this was prescient, or sadly it was prescient. I’m not sure.

We don’t know yet.

Charles Roven: We don’t know yet. Exactly. And that’s kind of what I love about what we’re able to accomplish in the screenplay and ultimately in what the movie is. You’ve obviously seen the whole movie now, right?

Yeah, last night.

Charles Roven: So it leaves you in a place where I think you are satisfied, but also it’s something you can talk about.

For sure. For sure. You have this world, and it’s very prevalent. It feels like it’s fitting in today’s society.

Charles Roven: Exactly.

So I assume that was part of your interest in exploring what’s going on.

Charles Roven: I’ll tell you what was really so interesting: when we started to develop this, it was just like, oh yeah, AI, it’s going to happen at some point. And then all of a sudden, when we had the screenplay finished, and Timor was part of the package, and Chris and Rebecca were part of the package, and we were going out in the marketplace, the whole thing just exploded.

I assume also that that must be kind of a good feeling too, to be creating original material.

Charles Roven: It is, and I’ve been a fan of Timur’s work for a long time, and in particular, I’ve really admired what he calls his screen life movies that he’s both directed and produced. Right. I’m sure you’ve seen those. And so when we started talking about the project, and it was really Majd Nassif, who is a producer on the movie, but was working with Timor’s company and Rob, who is a creative executive, well, he’s actually executive vice president of Atlas Entertainment. When those two guys got together and brought the project to Timor, it was like, Hmm, this is really interesting, and it gets to use this invention of teamwork and really actually expand on it in a really great way. So I was excited about that too. You don’t see too many movies that are fashioned this way

For sure. That’s absolutely true. I want to talk about Chris. Was involved from the beginning? Why do you think it is about him that just represents the everyday man?

Charles Roven: Well, that is it, isn’t it?

Yeah, I guess.

Charles Roven: So. The everyday man, but he’s still even within representing the everyday man, he’s still funny, smart, compassionate, and badass.

It’s a good combination.

Charles Roven: And he’s not without his flaws as a human, and he can play really great leading guys that have some flaws. We all do. You know what I’m saying? So he is every man.

Yeah, that’s true. Now, one of the things I feel like this builds, you could easily have a sequel to this. You could easily have a franchise of this. Is that in the talks, or is this just, let’s just do this flick, see how it goes?

Charles Roven: I think right now we are. Hey, we think we’ve got something that’s very special. We hope people agree with us when they see it. And I’m a producer who likes to have the demand of, Hey, can we get more? And if that happens, I would be happy to move forward on it, but I don’t want to be presumptuous.

Well, I mean, you have been a part of some pretty impressive projects like The Dark Knight.

Charles Rover: And I’m amazingly happy to be part of it, but it did take Batman Begins to bring about The Dark Knight.

It did. It did. Very much so. I mean, it would be curious because there does seem to be room to continue.

Charles Roven: Yeah. I mean, that was the other thing we had to come to a conclusion on: I don’t want to speak about the ending.

Yeah, no, don’t give anything away. Don’t give anything away. Timur has such an, you mentioned you’re a fan of his. He is such a visionary, such an interesting filmmaker. What is it to you that you really enjoy working with and finding that connection?

Charles Roven: It is that interesting thing. He never stops thinking about what he’s doing, never stops thinking about possibilities of how he can make it better. And so that’s both fantastic and enjoyable to talk about, but it’s also challenging. Is this particular idea that’s an invention of yours, a really good idea, or is it something that we should be careful about? And so as a producer, I’ve got to make sure that in working with a director like that, I’m giving him all the space that he can handle. Right. But at a certain point, I’ve got to say, we’ve got to finish the movie now.

Sure. Well, it was an absolute pleasure talking, sir. Congratulations on the film.

Charles Roven: Thanks so much. Really nice talking to you too.

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I think Jason Biggs will always be associated with the American Pie franchise. No matter what he does, the first mental image I have in my head when I see his name is Jim in the kitchen, covering up with an apple pie. And I know I’m not alone. So I was surprised to see that he’s now taking a crack at directing, and not only that: he seems to be quite good at it. I really enjoyed his new film, Untitled Home Invasion Romance, and you can check out my review HERE. It’s a Coen Bros-esque dark comedy that has many twists and turns, and deals with tonal shifts very well.

I sat down with stars Jason Biggs and Meaghan Rath to discuss their new film. Biggs gets into the challenges of taking on such a complicated story and its tonal shifts for his first time behind the camera. Rath also has a fun time teasing Biggs about what his strengths were as a director. This was a great interview, and it’s clear Biggs and Rath have a fun chemistry together. Here’s hoping this is just the beginning of Biggs’ directing career as he clearly as a knack for it.

Untitled Home Invasion Romance plot:

With his marriage on the rocks, Kevin (Jason Biggs) whisks his wife Suzie (Meaghan Rath) away on a romantic getaway with a wildly misguided plan: fake a break-in and play the hero. But when things spiral and someone turns up dead, Kevin finds himself at the center of a murder investigation, with lies piling up faster than the alibis.

Untitled Home Invasion Romance is Now Available on Digital.

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Timur Bekmambetov‘s latest feature Mercy presents an intriguing premise, and justice courtesy of artificial intelligence. Chris Pratt is Detective Chris Raven. After the horrific murder of his wife, Chris finds himself on trial in an A.I. presented courtroom. Rebecca Ferguson portrays Judge Maddox, who rules over a swift, 90 minute trial. It’s up to Chris, his partner “Jaq” (Kali Reis), and his own desperation to clear his name. The film presents a fascinating examination of court proceedings in the age of artificial intelligence, that in some ways, mirrors where we may be heading.

Recently, I had the chance to chat with Chris Pratt and Kali Reis. I’ve spoken to Mr. Pratt quite a few times, and it is always nice to coverse with the man. The duo opened up about working with Mr. Bekmambetov, and finding an on-screen relationship through rehearsal. As well, I asked Chris about working with James Gunn again in future projects together.

Having spoken to Timur in the past before, it was terrrific chatting with the man. Bekmambetov has had experience in tackling online driven projects. As a producer of films like Unfriended: Dark Web, Hardcore Henry, and Searching, he has a bit of history with this kind of production. Here, he’s presenting his take on a sci-fi project, one that really doesn’t seem that out of the realm of possibility.

Mercy opens in theatres this Friday at a theatre near you.

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It’s rare for a director to come back to a franchise after a whopping 20 years, yet that’s the exact situation we find ourselves in with Christophe Gans and Silent Hill. I was a big fan of his 2006 film, and given how bad its Gans-less follow-up, Silent Hill: Revelation, turned out to be, it was clear he had a lot to do with the first film’s success. So it’s exciting to see him return and adapt the story from one of the most beloved games. Return to Silent Hill is an interesting attempt to revive the film franchise, and my review will be released tomorrow.

I spoke with stars Hannah Emily Anderson and Evie Templeton about their roles in the new film. Evie gets into what it was like to play the same character in both Return and the Silent Hill 2 remake, and why she felt so comfortable in the role. Hannah has quite the task ahead of her, playing multiple characters, so she gets into which was her favorite to portray, as well as the long hours in the makeup chair. I also spoke with Christophe Gans about what it was like to return to this world after two decades and how much technology has changed in the meantime.

Return to Silent Hill plot:

Follows James (Jeremy Irvine), a man broken after his relationship with the love of his life, Mary (Hannah Emily Anderson), ends. When a mysterious letter from her calls him back to Silent Hill, he finds a once-recognizable town transformed by an unknown evil. While James desperately searches for Mary, he encounters terrifying creatures and begins to unravel the mystery of what happened to the town. But as he descends deeper into the darkness, the secrets he uncovers lead to a horrifying truth, and James finds himself struggling to hold on long enough to save his one true love. 

Return to Silent Hill releases to theaters on January 23rd, 2026.

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